Inspiration
Methods & Materials
About My Prints
Commissioned Art Projects
Resume
Exhibits
Press

Inspiration
I was born into an artistic family and learned watercolors from my mother. She adored nature and God and this took hold in me as a child. I loved birds in particular, which became the subjects of my first paintings. 

As a boy, Creation was all beauty and magic for me. I was inclined to religion and spirituality, so my early inspiration was to paint the human form as energy in transition- to suggest an expanded awareness beyond the physical. 

In style, substance, and intention my instincts essentially evolve from the traditions of religious art, where realist and visionary conceptions of nature and people are combined. My desire is to channel the creation of objects and images which provoke the memory of our connection with the world as a living being.

Wind Dancer   started as a watercolor painting on paper. Then it was scanned and brought into Photoshop® and digital painting was done on the image, 1500 x 1500 ©2016.

Wind Dancer started as a watercolor painting on paper. Then it was scanned and brought into Photoshop® and digital painting was done on the image, 1500 x 1500 ©2016.

As a primary medium, I prefer water-based acrylic for its technical and expressive versatility and archival stability. I paint on watercolor paper, stretched canvas, pressed wood panels, and on pressed wood and birch wood panel frames. I also create work on paper or canvas attached to panel frames.

Working with Different Panel Surfaces:    top left , on     canvas attached to a panel frame,  bottom left , painting directly on a pressed wood panel,  top right , on watercolor paper attached to a panel frame,  bottom right , painting directly on a panel frame.

Working with Different Panel Surfaces: top left, on canvas attached to a panel frame, bottom left, painting directly on a pressed wood panel, top right, on watercolor paper attached to a panel frame, bottom right, painting directly on a panel frame.

My painting techniques involve both careful planning and spontaneity. I methodically build up form through layering- but also cover or partially remove previously painted areas to promote the chance effect and generate unforeseen forms.

Wind Dancer   ©2016, 24 x 18 and in     progress as an acrylic painting on canvas mounted to a pressed wood panel frame.

Wind Dancer ©2016, 24 x 18 and in progress as an acrylic painting on canvas mounted to a pressed wood panel frame.

About my pigment inkjet prints (Giclée)

In addition to original drawings and paintings, I create other unique printed works with hi-fidelity reproductions of my original paintings, or by turning my sketches, studies, and renderings into digital paintings. I prepare these images on my computer and then use the fine art method of Giclée (pronounced "zhee-clay") to create archival quality pigment inkjet prints on fine art paper or canvas.

Guardian Spirit   shown as a digital image file in Adobe Photoshop® at the actual Giclée print size.

Guardian Spirit shown as a digital image file in Adobe Photoshop® at the actual Giclée print size.

Some of these works are one-of-a-kind and others are offered as individual prints as part of small limited editions of a pre-determined number of copies. My canvas prints are mounted on stretcher frames or cradled panel frames which I decorate with unique finishes.

The Panel Frame    left,  a pigment inkjet on canvas attached to a panel frame, and painted with an antique finish on the sides;  right , the backside of a large maple panel frame.

The Panel Frame left, a pigment inkjet on canvas attached to a panel frame, and painted with an antique finish on the sides; right, the backside of a large maple panel frame.

All mounted pieces are varnished and ready to hang. Unmounted paper prints include a framing border. All of these works are signed, numbered and dated, and include a detailed certificate.

left  certificate detailing the specifications of a particular print, and  right , a signed, numbered, and dated Giclée print on fine art paper in it’s archival enclosure for display and shipping.

left certificate detailing the specifications of a particular print, and right, a signed, numbered, and dated Giclée print on fine art paper in it’s archival enclosure for display and shipping.

In addition to what’s available in my studio or on my website’s online store, I also accept custom orders for Giclée prints for many of my paintings. Please inquire for details.

Commissioned art projects
During my career, I have worked on a variety of interior design and advertising projects as a decorative painter, a scenic artist, and as an illustrator.

Click to see examples of commissioned art
for interior design and advertising projects.

Peaches   ©1991 is an 18 x 18 oil on canvas created as one of 30 illustrations for Sarah Michaels bath products packaging.

Peaches ©1991 is an 18 x 18 oil on canvas created as one of 30 illustrations for Sarah Michaels bath products packaging.

Resume
I was born in 1957. I live and work at the Western Avenue Lofts, a thriving artist’s community in Lowell, Massachusetts. I’ve been developing and exhibiting my artwork since 1975. In addition to outside exhibits, I open my loft and display my work to the public about 15 times a year during First Saturday Open Studios at Western Avenue Studios and Lofts.

Exhibits
1980 Concord Public Library, Concord, Mass., one-person show
1988 Acton Arts League, Acton, Mass., annual juried group show
1992 Concord Art Association, Concord, Mass., annual juried group show
1996 Concord Art Association, Concord, Mass., annual juried group show
1999 Concord Art Association, Concord, Mass., annual juried group show
2005 Gleason Public Library, Carlisle, Mass., group show
2008 Trinity Episcopal Church, Concord, Mass., group show
2011 Gleason Public Library, Carlisle, Mass., “Essence” group show
2015 First Saturday Open Studios, Western Avenue Lofts in Lowell, Mass.
2016 First Saturday Open Studios, Western Avenue Lofts in Lowell, Mass.
2016 Sutra Studio, Lowell, Mass., solo exhibit of prints
2017 First Saturday Open Studios, Western Avenue Lofts in Lowell, Mass.
2017 Trinity Episcopal Church, Concord, Mass., “The Space Between: reflecting an inner view of nature”, a 2-person show with the painter Lauren Middleton
2017 Lowell Telecommunications Corp., Lowell, Mass., “Energy Bodies in the Elements”, solo show
2018 First Saturday Open Studios, Western Avenue Lofts in Lowell, Mass.
2018 Gallery of the Boroughs, Northboro, Mass., "Perspectives", group show
2018 Fern’s Country Store, Carlisle, Mass., solo exhibit of prints

Press
Hillary Levin, "Energy Abounds in Person and on Canvas", Littleton Independent, March 10, 1988
Rick Sobey, “New life in sight for an old city gem”, Lowell Sun, April 15, 2018